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Symbol | Price | Value | Portion of Fund | Today | Inception Return | ||
---|---|---|---|---|---|---|---|
F | $13.62 | $136,199.00 | 10.03% | 0.96% | 61.72% | ||
BDD | $16.45 | $82,250.00 | 6.05% | 2.17% | 57.69% | Details | |
NYB | $17.07 | $102,420.00 | 7.54% | 1.37% | 55.81% | Details | |
NVDA | $18.11 | $90,549.50 | 6.67% | 2.00% | 35.60% | Details | |
PLD | $14.38 | $116,736.84 | 8.59% | 1.20% | 30.35% | Details | |
GE | $18.19 | $72,740.00 | 5.35% | 0.64% | 22.79% | Details | MIDDLE |
QSII | $59.75 | $89,625.00 | 6.60% | 0.76% | 17.66% | ||
LOW | $25.23 | $88,305.00 | 6.50% | 0.72% | 16.00% | ||
C | $4.09 | $122,700.00 | 9.03% | 0.99% | 22.63% | ||
NATH | $15.76 | $78,800.00 | 5.80% | -0.19% | 9.06% | ||
FMC | $60.45 | $90,675.00 | 6.67% | 0.32% | 7.67% | ||
BAC | $17.20 | $154,816.20 | 11.40% | 1.01% | 24.87% | Details | |
VXZ | $67.38 | $67,380.00 | 4.96% | -1.29% | -4.47% | Details |
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Malaysian satellite broadcaster Astro All Asia Networks plc said today it would go private after its holding company made a US$758 million buyout offer. Astro, controlled by Malaysian tycoon Ananda Krishnan and state investment firm Khazanah Nasional Bhd, said the move was aimed at “re-energising the company’s growth, both locally and internationally.”
It said the purchase of the 27.1 per cent of the broadcaster that Astro Holdings does not currently own would enable it to pursue expansion of its ventures in China and India, and its new Internet Protocol TV projects.
Astro All Asia Networks (AAAN) chairman Badri Masri said its board received a formal offer today at a price of RM4.30, a 24 per cent premium over the closing price on March 12 before trade was suspended.
Ratings
Current Performance
Bond Issuance
Outlook
8th August 2008 was the fateful day I conceived JZ8. It was also the day the epic China Olympics started, hence the “8” in JZ8. I also met JZ8 pianist Tay Cher Siang for the first time in my house on the same day. JZ8 was inspired, in no small way, by Ted Lo 【羅尚正】the veteran jazz maestro from Hong Kong. The song that started it all was Miriam Yeung’s 【楊千嬅】【傷追人】, a cover of Leo Ku’s 【古巨基】hit song written by Justin Lo 【側田】。 Ted arranged and played some fabulous jazz piano in the song. This song got me thinking about making an album like that, with even bolder and jazzier arrangement.
When I thought of the idea of JZ8, I have this picture of a smoky and dimly-lit jazz bar tucked away in the far recesses of KL’s bustling night-life. Its close to 2 am on a Saturday night. It is the closing hours of the jazz bar as the wait staff start to empty the ashtrays. But there are a still couple of tables with regular customers who seemed reluctant to leave, ... till they hear the singer sing her last song for the night. On the stage, a mature female vocalist, slim and sexy, smiling knowingly to her regular supporters. As she leans seductively next to the grand piano, a virtuoso pianist casts a lonely shadow in one quiet corner and is wearing a hat that covers most of his face, she signals with a knowing eye contact to him that she is ready for the last song of the night. She starts to croon the last song of the night, “I Have A Date With Spring” 【我和春天有個約會】, slowly, sensously and seductively, while he tinkers with a flowing line so smooth that you swear you would surrender to both the voice and piano helplessly and willingly….
Lydia Chew and Tay Cher Siang are the perfect vocal-n-piano duo to complete that imaginative picture.
Lydia is the most sought after backup vocalist in Malaysia, while the other is the fast-rising, most promising jazz pianist who has been raising eyebrows in the music circuit in Malaysia. Together, they titillate your aural senses with refreshing interpretations of contemporary Chinese pop songs with a pop/jazz/swing flavor like you have never heard before. I seldom see such a tight and matching combination of vocals and piano.
JZ8 has taken us more than 18 months to complete. We have left no stones unturned. Being the Executive Producer of this album, I aim to break new grounds musically with an album that will hopefully revolutionizes Chinese pop/jazz in its small ways. While my Producer, Chow Kam Leong wants to make the best album in his 25-year career, one that he can cherish for the rest of his life. Both of us felt that we have achieved our ambitions with this album. It is a milestone album for both Musictoxin and Pop Pop Music, the two collaborating music labels.
With the usual high standards of recording equipment used in “Love’s Tapestry”, JZ8 album goes one step further in creating a lively, exciting, energetic and yet tonally gorgeous recording that complements the jazz flavor of the music. The audiophile mastering was, as usual, done by the most trusted guru in the world, Doug Sax of The Mastering Lab. Doug Sax has shown to us that if you want the best, you have to hire the best people to do it.
JZ8 has all the elements of a classic Chinese Audiophile album. We strongly believe JZ8 will become a yardstick by which all Malaysian audiophile productions in the future are going to be measured.
Retail launch is 28th April 2010. We are open for online reservation now. First 1,000 early birds will get the virgin pressing, which is the best sounding of the lot. Retail price is only RM49.90. All email enquiries to poppopmusic@yahoo.com
My comments in bold.
Hi Salvatore Dali,
Interesting - thought you are a Democrat and Democract hates GST as it is less progressive.
The solution to tax evasion should really be to hire more good inspectors rather than introducing GST.
Nah..GST is also prone to evasion, and worst, false refund claim. UK suffers from several billion pounds of false refund claim - when that happens, it transfer wealth from law abiding consumers and productive business to the fraudster.
Also, GST is not really a consumer tax, it is a half business, half consumer tax as it affects the price that can be charged by businesses.
The best form of government revenue is in fact from natural resources like oil or from land. Unfortunately, of course, that does not last forever and given the other alternative, I am not against a low level (i.e. sub 10% of GST) but anything beyond that can be fairly distoring (encourage smuggling, evasion etc). I would prefer a Land Value Tax over GST if given the choice. (Hong Kong and Singapore practises a form of LVT)
Also, can't see how introducing GST will transform malaysia into a high income country. The PEMANDU/Transformasi project is a small step forward but the compete or die motto will probably be more effective to transform Malaysian into a high income country,
Is this a result of having a government with a weak mandate in power?
The shocking number of U turns recently does not bode well for Malaysia.
I fear for what this will mean for the soon to be proposed NEM. The things that we need to fix overall in our economic management will require much more pain compared to the gradual introduction of a consumption tax like the GST.
The opposition here have done the country a great disfavour. Although I agree that plugging leakages and stopping wastage will go a long way in bring down the deficit but there still needs to be an alternative tax source.
The pols need to get the message across that it is not that they do not want to countinue lavishing the a select group with unending rents, it is just that the country cannot afford to anymore.
Very good point, I will elaborate later in the posting.
I totally support GST and also removal of subsidies. It is a bitter pill to swallow but in long run it is good for Malaysia. One condition that I would expect income tax to be reduce on par with the regional. Additonal, I read that 10% of workforce actually paying tax. I see the tax scale need to be review.I believe most of the tax paying citizen are already on the high side of the bracket. The golden goose is getting very tired.
GST Sounds good, but what happen if they don't use it wisely?
Expect high inflation in coming year due to GST, businessmen will add the GST into their goods..
Studies have shown, and even in places where they have implemented GST that there will be a one off price jump and things will settle down after that. We are not doing something EXTRAORDINARILY NEW and UNTRIED.
Suddenly we have these truckloads of delays in these supposed reforms we are supposed to be having. Now suddenly all not on time and not necessary? Are the delays caused by election concerns - if they are then I am very disappointed, again we have a government that promises so much but still kowtow to votes, I am not saying the votes are not important, its that we have pathetic political will to push through NECESSARY reforms. When you are an effective leader, sometimes you have to make the unpopular decisions, anyway, the next elections need not be called till 2013 - there is plenty of time to do what is right, do what is pertinent, instead of pandering to the masses or fearing that the opposition will have more ammunition with these unpopular moves.
The next general election does not have to be held until 2013, but could come as early as 2011 to coincide with elections Sarawak, a government stronghold that supplies 30 of BN’s 137 lawmakers. Najib vowed last year to reform public finances in order to cut the budget deficit to 5.6 per cent of gross domestic product in 2010 from 7.4 percent of GDP in 2009 and pledged to tackle a subsidy regime that accounted for 15 per cent of all federal government spending in 2009.
The delay in GST signaled the end of meaningful fiscal reforms until after the next elections. Over the past three weeks, we also have the postponement of electricity price rises and ended plans to hike subsidised petrol prices. Now we have also effectively delayed announcing its New Economic Model (NEM) when Najib announced a two-stage rollout of the ambitious plan to turn Malaysia into a high-income nation based on innovation and creativity.
We need:Signal to Noise is composed of four very unique and accomplished improvisers — hailing from The U.S., Japan and France. The band about exploring methods and strategies of improvisation, whose music is grounded in jazz improvisation, blending concepts and principles from both Western and Eastern contemporary classical music. A significant element of Signal to Noise’s philosophy is best summarized by Mr. Anthony Braxton from a 1993 interview: “I want, that which happens when music happens, to happen. It’s not about me being the total energy that completes the process of the “ising” of the music.”
MARGIE SEGERS has come a long way from being discovered at age 18. She appeared in Indonesia’s music scene as a blues, motown and soul singer, but under the wing of the late and legendary jazz maestro Jack Lesmana — she has carved out a niche, unwittingly, as a jazz vocalist.
“It was very hard for me, as all the great musicians I know were much older than me. I was 18 and nervous. They didn’t have CDs back then (in the ’70s), so I had to carry all these jazz LPs home to listen,” Segers recalls.
“I was a blues singer, so when I listened to jazz singers I thought, what are they doing? They sound like they are talking!” she said. “The musicians were very tough on me and I thought I’d never make it. But Jack told me ‘No. I’ll be watching you. You’re not going anywhere’.”
And it’s a good thing that Segers persevered. Now, three decades later, she can account for having cut several albums and becoming a household name in the region. Here, Segers gives us five minutes of her time before her No Black Tie debut last year.
No Black Tie presents a wonderful combination of pure talent with MARGIE SEGERS & MICHAEL VEERAPEN TRIO. Segers is widely acknowledged as the singer who started the jazz trend in Indonesia back in the 70s and is now more than a household name in her home country. Those with an ear for jazz have even compared her to Eva Cassidy and Dinah Washington, but truth be told, Segers’ originality not to mention her interpretation of familiar pop songs are incomparable. Coupled with Michael Veerapen’s sheer experience and undying passion for music, this is one showcase that will get your hearts racing.